Author: lormace

  • Yoga of the Season: Summer Solstice 2025

    Generous light, abundant water. The days warm swiftly, but when I bend to touch the river, it is icy cold. Water has a long memory — on the longest day, it remembers the chill of the dark. 

    Last December, I wrote about steam rising from the Arkansas on the shortest day of the year, still holding the warmth of summer sun. When I wade gratefully in now, I feel the crystalline winter in the high country.If you celebrate the pulsation of opposites, the cool of the water on the longest day of the year is a festival for the senses.

    The world is in full bloom from drinking in sun and rain. Lavender is ready for harvest in my garden and wild roses are dropping petals on the north bank of the river. Both are cooling, balancing plants for this time of year. 

    Our bodies also bloom in this season, invigorated by spring and not yet faded from long heat. It is a good time for pushing your physical practice, whatever that may mean for you. Heat makes us more flexible, abundant daylight makes us more energetic. Big, heart-opening poses may be more available than other times of year, so I invite you to practice up to poses like ustrasana (camel), setu bandha sarvangasana (bridge), or even urdhva dhanurasana (wheel). Working up to these poses can help you feel what it is like to truly bloom toward the summer sun.

    Join me at our Yoga on the River class on Saturday, June 21st to experience some of these poses for yourself. 

  • Yoga of the Season: Vernal Equinox 2025

    The first poem I ever got published graces the Vernal Equinox pages of an astrology datebook. Dropping it here in honor of the equal day and night- and by the way, I consider this to be New Year’s Day!

    Hope

    Dear Belated Friend,

    Have hope.

    Seeds are made with all ways of being tucked inside.

    Clinging, pricking, wafting, sinking, reaching, bursting, luring, floating, rolling,

    breaking

    they start by breaking. It is their end and their beginning

    Remember, “the wound is where the light enters”

    Count the days

    Count the nights,

    Orion slips behind a cloak of day. Men come out and women sigh and Venus takes coins from her purse to relieve the poverty of winter, the long winter, the Fimbulvetr 

    that took your finger?

    the ground gasps and gushes

    Venus smiles her trap smile.

    She knuckles her way forward, spring, Ostara, lips wrap around seeds and sleep is no master, slurp the curves of a brimming world.

    Let her lure you back with the tang of dandelion and young mint.

    “Hope” (c) Laura C. Mace, 2022

  • Yoga of the Season: Autumnal Equinox 2024

    Hello Friends!

    This is my first update since returning from maternity leave, and my little Sierra Grace is already eight months old! I finally feel that I can take on something beyond gardening and mothering… if those can be considered separate tasks. 

    Sun-bleached skipping stones lie exposed on the banks of the ebbing Arkansas River. I still bask in the abundance of late summer, but with a sigh of relief after the searing heat. The light has sharpened and shadows are lengthening. Our garden is heavy with tomatoes, the alleyways of our neighborhood littered with peaches and apples, and on our weekly pilgrimages to the mountains, I chase my boy through green woods, but wrap the baby against the chill. We scan the aspens for the promised gold.

    Harvest time, harvest time. Across the northern hemisphere, a time to focus on reaping what has burgeoned in summer’s warmth. Gather. In the yogic tradition from far, far away on the Indian Subcontinent, this is known as Sarasvati’s time- hail to the goddess of clean wit and high knowledge! Her bright vision illuminates the world’s corners and contrasts, picks the clean fruit from the rotten. She is a source of strong, steady energy, giving us the endurance and wisdom to bring in the best of the harvest.

    In this season, I find I can work hard and rest well. Early autumn is a time of balance between light and dark, warmth and chill. The practices I offer at this time honor this by combining steady effort with grateful surrender.

    Upcoming opportunities to practice:

    Yoga on the River ~ Saturday, September 7th, 10am-11am

    Every 1st Saturday at the River Campus of the Nature and Wildlife Discovery Center. More info here: https://hikeandlearn.org/…/september-yoga-on-the-river/  

    Women’s Wellness Weekend at Camp Jackson ~ September 27-29th

    I am delighted to be the yoga and meditation instructor for this mountain retreat- fingers crossed, it should be great timing for the aspens!

    Revitalize and Reconnect in the San Isabel Mountains! Join us for a rejuvenating escape at YMCA Camp Jackson from September 27-29, 2024. Set against the serene backdrop of the San Isabel Mountains, our Women’s Wellness Weekend offers a perfect blend of tranquility and adventure designed to refresh your body, mind, and spirit. Lodging, meals, and activities included. 

    Community Cabin: $150 per person

    Private Cabin $200 per person

    Registration ends September 26th, sign up today at puebloymca.org/events 

    Activities Include:

    • Yoga & Meditation
    • Self-Defense Classes
    • Exercise Classes
    • Crafts
    • Hiking
    • Ropes Course & Zip Line
    • Rock Climbing
    • Canoeing
    • Massages

    Women’s Wellness Weekend is your opportunity to take a step back from daily routines and immerse yourself in a supportive community. Whether you’re looking to relax, learn new skills, or simply enjoy the beauty of nature, our custom adventures and peaceful activities are designed to help you reset and restore.

    Gentle Yoga — Weekly at 10 AM on Fridays

    I am resuming my classes at the YMCA of Pueblo! Offering low and slow yoga at 10 AM on Fridays.

    Blessings, and hope to practice with you soon!

    Laura

  • The Yoga of Relationships, II

    In the yogic tradition I trained in, the ground is the first point of focus. Upon entering a pose, we draw our attention to points of contact with the earth, sensing energy move from the ground into our body, turning the spirals of energy that then fuel the full expression of the asana.

    Where is the ground in an abstract, perhaps difficult, conversation about values, choices, strategies that challenge us? Where it is in a yoga pose – beneath my feet, and pulsing in my breath.

    Whether we call it God, the Earth, our Higher Self, or just our “center” or “breath,” we all exist by connection to what is more than ourselves. In the most atheistic of terms, Consciousness, what we call our selves, cannot exist without breath for more than a few moments – we are fundamentally dependent on an external source of life. In feeling this connection to our source of life, we reground. We touch back to the fundamental, and our tensions and cares can be reabsorbed into this source.

    Disconnection from my partner arises when at least one of us feels disconnected from this source of life. Connecting to this force helps us reconnect to ourselves so that we can then reconnect with one another. 

    All that sounds very complicated, but reconnecting to your center can be very simple: when you are about to enter into a conversation that may be full of conflict, breathe consciously. Just twelve thoughtful breaths can change your physiological response to conflict. Release your jaw and shoulders as you breathe. This will help deactivate your stress response and prime you to connect to the world, and people, around you.

  • Yoga of Relationships, I

    After a somewhat difficult morning with our six month old baby who disagreed with us about the level of daylight that should accumulate before starting our day, my husband and I had a rough conversation or two before he left for work at my dad’s business, where he is a senior engineer. 

    I felt very in the right in the somewhat tense conversation… until he left, when I looked around and saw all the blessings of our life together, remembered that he let me sleep in this morning, saw that he did not get to make himself coffee. I felt a wash of gratitude for what this relationship has given rise to. And I felt sheepish, not because the things I said were unimportant or inaccurate (they were both), but because they were not spoken from a place of alignment and attunement. I felt sort of the way I do when I attempt a difficult yoga pose without any warm up, aligning and breathing my way gradually into it. I realized suddenly that this is how I go into many important conversations – as though they were a leisurely walk. In fact, we are discussing parenting and working for a family business– these are not walk in the park conversations. Discussing our fallibility, our challenges as parents, our bad habits, our interactions with our extended family, these are not walking in the park. These are Uttitua hasta padangustasana, a pose that really requires the yogic principles of alignment.

    The alignment principles of yoga empower us to take on challenging poses, which prepares us for the challenges of life.

    So I asked myself, what can I do to align myself to have difficult conversations? This series explores this question.

  • 8.24.2021 Waiting

    Some of us who wait,

    bellies full of dawn,

    some leaf through the research, dig through the lore, the impressions of the past, the promises of the future…

    I do none of these things. I don’t know why not.

    I wait only.

    I sit with dawn swelling my belly,

    so large I cannot fold in on myself, my heart is forced open

    I cannot even slouch in exhaustion

    I did not know that pregnancy would force me upright, even as I lumber

    So full, inspired, tired

    I sit, I stand, I wonder

    But I cannot slouch and study

    I do not think, decide, or plan

    I do not look or learn the lore, except what drifts from the mouths of grandmothers, what floats into my dreams from our stories

    I wait, and I breathe.

  • Samsara and Salvation

    The Upanishads and the Book of John

    “Early on Sunday morning, while it was still dark, Mary Magdalene went to the tomb and saw that the stone had been taken away from the entrance. She went running to Simon Peter and the other disciple, whom Jesus loved, and told them, “They have taken the Lord from the tomb, and we don’t know where they have put him!”

    Then Peter and the other disciple went to the tomb. The two of them were running, but the other disciple ran faster than Peter and reached the tomb first. He bent over and saw the linen cloths, but he did not go in. Behind him came Simon Peter, and he went straight into the tomb. He saw the cloth which had been around Jesus’ head. It was not lying with the linen cloths but was rolled up by itself. Then the other disciple who had reached the tomb first, also went in; he saw and believed.

    From the Gospel According to John, Holy Bible, 20:1-16 

    “But all those we love, alive or departed, and all things we desire but do not have, are found when we enter that space within the heart.” 

    From the Changdogya Upanishad, 3:2

    Our word for Easter comes from the pagan festival Ostara, a celebration of rebirth and renewal at the coming of spring. This isn’t an etymology blog, though, as wonderful as that would be. This is a personal reflection on Easter’s themes.

    The springtime ideas of resurrection, reincarnation, and rebirth are kin in my mind. The Upanishads, the Bhagavad Gita, the Dhammapada, and the Bible all heed the cosmic seasons of birth, death, and renewal. And all these philosophies speak of liberation from this cycle, either through moksha, enlightenment, or through salvation via Jesus Christ. 

    Who is “the other disciple, the one who Jesus loves?” I remember being asked this at the start of many an Easter sermon. In all historical likelihood, John’s spiritual heirs were referring to John himself as “the other disciple” and the “disciple who Jesus loved.” But I prefer the way my grandad saw it— the other disciple is you and me. We come to the tomb of death and find it empty. Death is not a permanent condition, but a fundamental part of the process of reality. Yogic philosophy calls this the “Wheel of Samsara,” or reincarnation. 

    I don’t take that to mean that my individual soul packs up and moves to a new apartment of atoms in each lifetime, but that I am but a part of the great I AM, and always will be, as it manifests in living beings throughout the ages. This makes death but the dissolving of the habitual boundaries between I am and you are, they are and it is. Indeed, death is a returning to the whole to be reborn, and this is as joyous the women and the disciples at seeing Jesus again.

    There is more, of course, to the story of Jesus’ resurrection than just new life, spring, rebirth. Forgiveness is there also, a washing clean. The yogic principle of Karma, which predates Christ by millennia, stipulates that as we move through lifetimes we learn to address the seeds of cause and effect planted in our consciousness by previous actions. I understand Christ-consciousness as redemptive of that cycle, or in yogic terms, transcending the Wheel of Samsara. I see enlightenment as releasing attachment to only the birth and life parts of the birth-life-death cycle inherent in reality.

    “Do not cling to me,” Jesus tells Mary Magdalene, “For I have not yet been to my father in heaven.”

    The Gospel According to John 20:17

    Personally, celebrating Easter beneath the shadow of the Covid-19 Pandemic is… weird. Dana and I drive up to the Adirondacks to hike to a comely view and scout out some summer climbing goals. On the way we listen wistfully to a church service, wishing we could be bored in the pews beside our families. I tear up at a fuzzy recording of a church choir singing a familiar off-key, too-slow-to-actually-sound-victorious rendition of “Christ the Lord is risen to-DAAY-HAAAY, Aha-AH-la-HA-lehe-YOOO-HOO-yaaaaaaa…” 

    Because this Easter is weird.

    It is the first Easter without my Grandad, who was a pastor. I sang him “Amazing Grace” as he lay dying in the hospital last July. I watched his last breath, watched his last heartbeat pulse through his veins. It was the first death I have witnessed, and it was a mercy after the pain he had endured. This is the first Easter that I have known even a little bit, really, about death.

    And this Easter is weird because the world passes this day sheltering while death passes over, as though Passover has not yet ended in triumph. We cannot gather to worship, or eat too many deviled eggs, to hold our nieces on their first Easter, to watch them giggle at crocuses in the new light of spring. We hunker down to minimize death, a death that comes as it has always come, as an act of nature, an act of God. And we should, so that we preserve the lives of dear ones who need not go yet, otherwise.

    I look out the window and think about the message of Jesus. I feel forgiven, and I feel forgiving. Forgiveness is salvation.

    If I can forgive the universe for the cosmic cycle of birth, life, death and rebirth, I am free. Jesus dies upon the cross and rises again, to show that there is no final triumph of death, decay, winter, sin, call it what you will. The cycle goes on. I can be present with it.

    Jesus’ message is one of forgiveness, but not just receiving forgiveness for my own faults. I also must forgive, not only other people, but a universe that kills. If I can forgive reality for the pain it causes and accept it, I can enter the salvation of living in the present. Which, as my teacher Sean Murphy Sensei says, is the only place that our lives (and death) actually happen.

  • Yoga Sutra 1.1 – The How of Presence

    Atha yoga anushasanam. Now, the teachings of yoga.

    Yoga Sutra 1.1, Patajali

    Now the teachings of yoga… or How I meditate with a busy mind

    “I tried meditating, but I was terrible at it. I just sat and thought about all the things I have to do.”

    “I have to do guided meditations, otherwise my brain just keeps getting distracted.”

    “I meditate by running. I have to move.”

    Heck yes, meditation can be a struggle. Those are all real quotes from people I know and love. So my first post on what is intended to be a yoga blog, based on the very first line of the first yoga sutra, is, in fact, about sitting meditation.

    Most of us who are interested in yoga have heard of the benefits of being present, and that yoga and meditation can help us be that way. But they are just techniques, and if techniques don’t work to help us be present, then they can do more harm than good, by making us believe more in our limitations than possibilities.

    This year marks a decade of meditating faithfully, nearly every day. I do often become preoccupied with thoughts, and doing or not doing something with them. I’m not going to lie, this creates a tedious feedback loop. The thought emerges, walks in wearing a business suit or with a surfer-dude swagger. When I notice it, another thought rushes in, dressed in the loincloth of an OG Yogi or the flame-hued robes of a Tibetan monk or the spandex leggings of a yoga teacher and scolds, “Hey, remember we aren’t entertaining thoughts right now? Come back later!” 

    That first thought might cooperate, or it might start to argue, or get its friends involved, or maybe even your mother! It might invite in the latest list of techniques from Yoga Journal or a report from Newsweek, and soon I’ve got a mind full of jabbering thoughts. An NBA player, some saxophonists, a mouse reminding me that I was supposed to seal that hole in the garage yesterday and, ooooh look! The dragon from the fantasy novel I have been reading!

    Meanwhile my inner yogis and buddhas are weaving through the crowd, trying to insert a word edgeways, whispering with increasing levels of impatience, until one of them breaks and screams,

    I AM TERRIBLE AT MEDITATING! 

    I need to do a more active practice, run or vinyasa, this stillness is just a chance for my brain to go crazy!

    Almost every day, I practice Zazen. Zen meditation. Not metta lovingkindness or shamanic journey or pranayama (though I love those too), but the most bare-bones, no-nonsense, just sit there and feel your breath and, no, you don’t get any fancy mantras or flames or visualizations kind of meditation. 

    It’s a huge part of my life – its integral to my yoga practice. The confluence of rivers of insight is always a good place to draw water. We sustain ourselves by breath and gravity. I return often to this notion during my yoga practice. Am I aware of my feet, the earth beneath me, and am I feeling my breath, not distantly, but from within? Sometimes I can feel the life pulse initiating, inspiring the breath. It is an exquisite joy. As my zen teacher, Sean Murphy Sensei, calls it, “Like sinking into a warm bath.”

    But sometimes, the cacophonic party of thoughts seems about as far from a warm, solitary, contented bath as it is possible to be. So what’s the trick? Why are so many initial meditations much more like the party of all our inner voices than the surrender promised by seasoned meditators?

    Thoughts are born of neural networks, and as their name denotes, neural networks are built to connect. The thought about the mouse is supposed to remind me that I need to seal up that hole in the garage. In the wild, in evolutionary terms, seeing the tree where the lion hid last time or the bush that bore such sweet berries last season were vital connections to make, reminders of information and strategies critical for survival. But in a world with fewer survivally (that is a word now, m’kay?) important stimuli, this same neural interconnectedness becomes a burden that can completely obscure the present moment — which is the only place that our life actually happens.

    But neurons are not only in our minds, not only the stuff of memory and linguistic thought. The whole body is abuzz, awash with sensations of our present reality. The nerves in my belly, my feet, my lower back are just as active as those firing as thoughts in my brain. I just have to choose to pay attention to them. So this is what I do when I notice myself following a web of thoughts in meditation— I shift my attention back to my belly button. I don’t think about the thoughts (that leads to the thought party, remember?). I just try to feel the (usually quieter) sensations in my pelvis, my feet. I focus on the “still small voice” of those nerves. 

    It is possibly to get as absorbed in the sensations of the body as we are in a train of thought. If I can keep my attention in a body part, it does start to feel comfortable, usually, rather like a warm bath. Even when the body is in pain, there are almost always places that feel neutral, and funnily, when I focus on neutral sensations long enough, it does become pleasant. Rather like a warm bath. 

    In the beginning of my sit, I take a few deep, loose breaths to release surface tension, then I gradually draw my attention to a very specific place in my body, far from my head— “Time and space matter in magic, Potter.” If I focus on my nostrils as I breathe, that is just too close to my brain, and I will end up thinking more. If I focus on my belly button or my feet, somehow that draws the energy, my focus, to nerves that are far, far away from the to-do list triggered by the neurons in my head. Maybe I am playing a bit fast and loose with the science here, but it’s a working theory, okay?

    Eventually, if I focus my attention on a specific part for long enough, it spreads to the rest of my body, and this can lead to the body highs that are Samadhi, gateways to enlightenment. More often, it’s just a sensation of simple presence.

    After all, as Sensei Sean says, that is where our life happens.

  • Monument Valley, Navajo Nation

    If you survive the journey, the hands of a desert god wave to greet you.

    First you must trust that there will be water, for you are not of the desert. You are a guest, a stranger: you drink water without knowing where it comes from. Your ancestors wallowed in water. The hands of their gods are tucked deep in muddy pockets. The gods of northern Europe had life springing from every moist orifice… Ymir died with a forest growing from his head.

    You miss trees immediately, and when you come upon a piñon who has found a spot moist and shaded enough to make a life in, you reach for him.

    Dry place— it rattles in the chamisa, whirls in the dust— dry place.

    We have always been there, say the Diné, and I know how they know: when you have walked here, the desert paints you in its own image. You cannot be here without the red dust rising from your feet to settle on every inch of skin. How can a people be from somewhere else if they have always worn the red dust, from birth?

    And, of course, there is not enough water to submerge yourself in, not unless you travel down, down, down the risky fissure in the world to the San Juan River, and bathe in the inexplicable green.

    On the way back up, five-hundred weary feet, you will become red again, unless you should fall. It would be easy, so easy, on the crumbling lip of the desert. Then it would swallow you.

    So, if they have always worn the red dust, they have always been here.

  • On Writing: For Campbell

    Hi Campbell,
    I hope you had a lovely, relaxing holiday break. I am sorry this has taken so long. I have been waiting to hear back from my mentor, Sean Murphy, hoping to send his greetings with my answers. He is an award-winning published author and a trainer of young writers, as well as a creative writing professor, etc., etc. He is always very willing to help and it is just a formality that I emailed him to ask if I could give you his email address, but he is also a bit of a digital hermit. Thus, for the time being, I will answer your questions without his response. I am just going to free write in response to your questions, because it appropriately echoes my creative writing process.

     
    So! Writing every day… hm, I suppose it is like doing anything every day: hard at first, then easier, and then it becomes hard NOT to! I have gone through that same process with running, yoga, meditation… anything I want to do every day is halting at first. Habit takes time to grow from seed to sapling to tree. 
     
    I only get to write every day in the summer. When school first gets out, my attention is fragmented, all too used to the rapid-fire, chaos of middle school (“squirrel!”). I sit down for fifteen minutes at a time, write a paragraph, then find myself editing or (alas) net shopping for leggings. Or eavesdropping on strangers’ arguments in a coffee shop or playing with the cat or doing dishes or any of what the zen monks call “the ten-thousand things” that distract us from the creative task.
     
    But as I sit down, day after day, the story beckons me onward, gathering an energy and life of its own, far more beguiling than any legging sale or political conversation drifting across the room. My stamina near the end of the summer is easily 2-3 hours at a sitting, about two times a day. I don’t know if that would be the case if I was not working on a narrative: you’d have to ask a journalist, a poet, someone who often writes shorter pieces. It’s beautiful when that happens, akin to “the zone” in sports, samadhi in meditation, a place of utter transcendence that is, truly, the reason I write. Why I must write. Why, no matter if the work is never seen by any eyes but mine, I am utterly addicted and compelled. That is what happens to me when I write every day.
     
    I will be honest- good, strong coffee helps, and I did not drink it until I was twenty-three. It does not affect the quality of the work, just the quantity. What I do before writing influences tone and mood, to an extent. I do believe that Earl Grey tea, first thing in the morning, sipped before the magical mists of the night’s dreams have dissipated, produces the best passages. That or an exhilarating run in the foothills: I wrote the backbone of my novel by running after school to really epic music (Metallica, sometimes, “Carmina Burana,” or the Braveheart soundtrack), then bursting into the house, flopping onto the bed, and without preamble, handwriting sweatily until my inspiration was spent. These were always free writes, scattered randomly throughout the eventual plot, full of dashes, and months afterward when I had to spend hours committing them to the digital world I had to superimpose punctuation. This is never a problem when I am not free writing: I am a natural punctuator, but somehow free writing moves too fast. That happens when i write every day: my imagination is much too fast for my hands, whether writing or typing. Sometimes I would record pieces on my phone, pacing and whirling around my house (I lived alone at the time— thank goodness!). To this day, those original post-run or post-sleep passages are some of the best, their texture is so authentic.
     
    Are certain kinds of writing better for your brain than others?
     
    Well, goodness, I don’t know. I am sure that it depends on the person. I also think that depends on your definition of “brain,” (it felt, mystically, like my body was writing the story after a run) but let’s not get too esoteric here. Ok, yeah, I think different types of writing are good for your brain in different ways, much like different types of exercise benefit the body differently. For instance, to be who I am, to be my best self and feel alive, I have to get some cardio. Sure, I love yoga and I dig any workout, but I really need my heart to pump in that special way it does when I run. Some people (cough, Mrs. Abling) don’t like running. For me, novel-length stories are the same: I just don’t get the same feeling out of any other kind of writing “workout.” Novel writing makes you sensitive to the energetic structure of a long, long work, as well as enhancing your sensitivity to detail. I have friends who are flattened by the idea of writing a novel, but are poets of astounding wit and sensibility. I would say that writing poetry trains your powers of observation, sensitizing you to the subtleties of nature and mind, so even writers who are disinterested in poetry have much to learn from reading and writing it. 
     
    Nonfiction, “academic” writing, whether a narrative or more essay-style work, makes you disciplined and organized. I can always tell when a student (or a bestselling author) has never really written much to convey actual information because their work often lacks grounding. It seems, to me, abstract and disconnected from reality. Take James Joyce, or Gertrude Stein, or even David Mitchell. Their work is usually unapproachable for me, obviously brilliant but an unearthly, acquired taste. Some people love the purely emotive, surreal, ethereal quality of their work, but it makes me fidgety and restless, craving more of this world. That doesn’t mean they were academics: J.R.R. Tolkien and Phillip Pulman for starters. They had such a solid grounding in how to write informatively about this world that their made up worlds had the same sense of believability as our waking life. In short, I would say academic writing trains to you think critically and deeply about the world, and even the most imaginative work must reflect some of the logical order of this universe.
     
    I think. That’s all speculative, but I am sure there is good psychological research on the impact of writing on the brain.
     
    I hope this helps- it is delicious to get to talk about, an indulgent feast for me after the dullness of jury selection. I will continue attempting to get ahold of Mr. Sean Murphy, who has written in all the genres discussed above, and would provide more credible perspectives than mine. After all, I am still only an amateur. The word amateur, fittingly, means one who does something out of love (from the french amour). My favorite english teacher taught me that— and now I pass it on to you. May it light the way when society tells you darkly that you must be paid for art in order for it to be worth doing.
     
    Blessings on your continued work on this project, I can’t wait for the outcome.
     
    Cheers,
    Ms. Mace